Još samo 26 dana do dolaska Mamady Keite u Zagreb!
Konačno je poznata i lokacija održavanja radionice.
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Za sve info i prijave, pišite na: djembefora@gmail.com
22. 06. 2008.
25. 05. 2008.
Tonton Sylla, Zagreb, 14-15.06.2008.
Tonton Sylla (Gvineja), dolazi po treci put u Zagreb.
Djembe i dunun radionica ce trajati ukupno 10 sati i namijenjena je za sve levele (od pocetnog do naprednijeg), stoga su svi dobrodosli bez obzira na prijasnje iskustvo.
nedjelja 15.06. od 11-17 sati (sa pauzom za rucak)
Mjesto - Magazinska 11a, prostor Drum-Ti-Dam Udruge
Cijena - 60 eura (plativo u eurima ili kunama)
Prijave i uplate - rezervirajte svoje mjesto sto prije radi ogranicenog broja polaznika (i stolica :-), a najkasnije do 13.06.
Kontakt -Kresimir Oreski: 091 50 49 224; kresimir.djembe@gmail.com
14. 05. 2008.
Djembe kutak novosti

Podsjetnik na najsadržajniji site o djembeu, kulturi i životu Afrike, i to sve skupa na Hrvatskom - DJEMBE KUTAK by Julio.
Novo objavljeno: Etničke skupine - Dan, Dinka, Dogon, Edo, Ejagham, ali i Kaste i Zanati, foto album Život u gradu, te veseli životinjski svijet Safari.
Julio rules!
13. 05. 2008.
Seckou Keita 2008 UK Tour i novi CD
Seckou Keita i kvartet kreću na turneju, za početak samo u Engleskoj, no nadamo se da će uskoro ponovno doći i u Hrvatsku.Također je pred izlaskom i novi CD, The Silimbo Passage, možete ga malo poslušati i online.
28. 04. 2008.
Drum Carvers Conakry, Guinea, West Africa
The steps of carving a Djembe.
p.s. Nemojte ovo pokazati Tompi :-)
Part1
Hollowing out the log and rough cutting the shape of the drum. All done by hand with hand made tools.
Part2
Master Drum Carvers in Conakry, Guinea, West Africa do the finish work on Djembe and Dunun shells.
Part3
Master carvers in Conakry, Guinea, West Africa put the final touches and intricate carvings on a Djembe. Very nice hand workmanship.
p.s. Nemojte ovo pokazati Tompi :-)
Part1
Hollowing out the log and rough cutting the shape of the drum. All done by hand with hand made tools.
Part2
Master Drum Carvers in Conakry, Guinea, West Africa do the finish work on Djembe and Dunun shells.
Part3
Master carvers in Conakry, Guinea, West Africa put the final touches and intricate carvings on a Djembe. Very nice hand workmanship.
27. 04. 2008.
Mamady Keita's solo in Okay Temiz Ritim Atolyesi Concert
Mamady Keita's solo in Okay Temiz Ritim Atolyesi Concert on February 11, 2008. (Venue: Istanbul TIM Maslak Show Center, Turkey) Okay Temiz Ritim Atolyesi is the first and the best rhythm school in Turkey leaded by acclaimed percussion artist and drummer Okay Temiz. Every year an annual concert is organized for Okay Temiz's birthday and different percussion artists from all over the world (including Mamady Keita, Adama Drame, Trilok Gurtu, Yamar Thiam, Carlo Rizzo, Stoyan Yankoulov, Elitsa Todorova ) come to play with Okay Temiz Ritim Atolyesi.
To je prava rođendanska svirka :-)
To je prava rođendanska svirka :-)
24. 04. 2008.
Microtiming by Rainer Polak
Jenbe Music in Bamako
Abstract:
"Playing with microtiming is a remarkable feature of musical rhythm in the Western Sudan. Both African and Western musicians and musicologists have time and again wondered at the capability of Malian, Senegambian or Guinean drummers to excitingly place notes on, next to, apart from, or in between expected points of time. This musical practice results from a complex interaction of different factors. This concept holds that the equal pulse base underlying African and other dance-oriented music is often inflected according to regular and constant patterns. Jenbe drummers, in particular, make extensive use of a limited number of sophisticated inflection patterns to enrich their playing in a specific manner. This paper addresses the drummers' microtiming both as a system and as a practice in the context of professional festival music in Bamako." (full text) by Rainer Polak
Abstract:
"Playing with microtiming is a remarkable feature of musical rhythm in the Western Sudan. Both African and Western musicians and musicologists have time and again wondered at the capability of Malian, Senegambian or Guinean drummers to excitingly place notes on, next to, apart from, or in between expected points of time. This musical practice results from a complex interaction of different factors. This concept holds that the equal pulse base underlying African and other dance-oriented music is often inflected according to regular and constant patterns. Jenbe drummers, in particular, make extensive use of a limited number of sophisticated inflection patterns to enrich their playing in a specific manner. This paper addresses the drummers' microtiming both as a system and as a practice in the context of professional festival music in Bamako." (full text) by Rainer Polak
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